Tuesday, 24 April 2012

Progress (Day 24)










Back when I wore shorts
And was always laid up in bed
With all kinds of vicious colds
I used to frequently hear my father
Cussing

and swearing

imagining he was Hoplong Cassidy
when he took out flies and ants.

Now I am as old
as he was back then
And ill yet again,

I can hear my partner
running around


With similar cans
Like they are pistols
Screaming and swearing
Why won’t the stay dead.

Why won’t they stop jumping
Up and down
like they are backing dancers
for Lady GaGa?

Why won’t they stop dancing
like they are in three legged races
and stop teasing you
like at the Chicken on
the other side of the road.   

I think you will be proud
to see the progress I’ve not made.

(Today's challenge at NaPoWriMo asked us for
'Today’s prompt is a bit of a doozy . . . so if you feel like you don’t have it in you, feel free, as always, to take a pass! Today’s challenge is a lipogram/Beautiful Outlaw/Beautiful In-Law. A lipogram is a poem that explicitly refrains from using certain letters. The most classic letter to swear off, at least for English speakers, is “e.” A Beautiful Outlaw is a variation on a lipogram, wherein you refrain from using any of the letters in a certain name. For example, if you chose the name Sarah, then you could not use s, a, r, or h. A Beautiful In-Law is another variant, wherein you only use the letters in a certain name (better pick a long name!)'.. Sadly owning to stress at work and also ill health, I wrote the above which went on about my weekend where i was recently ill.. Enjoy!) 

Monday, 23 April 2012

Last Acting Job (Day 23)

















All I have to do
is to start telling you
and I am back there again
head in my hands
looking blankly at the floor.

Listening to the audience
as they laugh and hoot
before the lights swoops over
them like a intergution light
on a tranced voyage.

Listening to the rain
move like footprints
and the course giggling
of Frank as he whispered
'Are you ready yet?'

Of course I wasn't
but I couldn't tell him that.

I couldn't tell him
why my head felt like
an out-take of the Scream
and why my wig never
felt level
and my eye liner
and make up
felt like disscolving acid.

I couldn't tell you
about my broken finger nails
and ripped out eyelashes
as well as my worn out boots.

You saw the half drunk bottle
of Whiskey thou.




(Day 23 of NaPoWriMo asked for 'oday, I challenge you to write an ekphrastic poem — that is, a poem that responds to or is otherwise inspired by a work of art. Probably the most famous ekphrastic poem in English is Keats’ Ode on a Grecian Urn, but there is no lack of modern ekphrastic work. Take Auden’s Musee de Beaux Arts or Robert Lowell’s For the Union Dead. So go forth and find a painting, sculpture, photograph, or even a piece of music, and use it to inform your poem for today. Art creates art — it’s so efficient!' I err.. reflected on the reason I packed
in being a actor many years - enjoy - lol) 

Sunday, 22 April 2012

The good, the bad and the brush off (Day 22)


















Looking up from my plate
After finishing my tea
While hearing your pots
Crash like cars beeping
In the distance
I see the ghost of your
Little cat’s smile.

I see her eyes move
Up and down
In a sudden interest
As she follows my hands
Then my head
As I stood up.

I see her nose twitch
In the air
Like a bloodhound
Assisting Sherlock Holmes
Hunting the hound
Of the Baskerville.

I see her nose sniff
Like Lassie in hunt
For treasure
Before then been
Taken over by Black Beauty
Running wildly
Over the hills.

I see her nose
Twitch like Skippy
As she threatened
To start hopping
All over the place
Before stretching her
Paws towards my food
Like a Cheetach
From the Tarzan films.

She reached over
With giant paws
Moving slowly
And quietly
To get to my plate
Before I realised.

She reached over
Like a silent cheetah
Mixed with a Chameleon
Moving slowly

Slowly

Slowly

Slowly

Across the side of the chair

Then the edge of the couch
Like she was crossing
The savannah

Slowly

Slowly

Slowly

Only to find I ate all of my tea

But I gave her something extra
Anyhow.


(Day 22 of NaPoWriMo asked for a poem about a plant.

However as I was out, I mis-read it as about a animal and wrote another

poem about my partner's younger cat who was very keen to get

at my Cheese and Onion Sandwich the other night)

Saturday, 21 April 2012

Three short hay(na)ku for Cathym (Day 21)















(I)

Face
kisses face
in morning rain.

(II)

Loving
You is
More than truth.

(III)

I
Love you
I love you.



(Day 21 of http://www.napowrimo.net/ asked for 'Our prompt today comes to us from Vince Gotera, who suggests that we try out hands at hay(na)ku. This is a verse form similar to the haiku, invented by Eileen Tabios, and which Vince named! For more on the history of hay(na)ku, take a look here.
The hay(na)ku form is pretty easy. Each hay(na)ku contains three lines. The first line has one word, the second line has two words, and the third line has three words. You can chain hay(na)ku together into multi-verse poems.
Here’s a simple (and admittedly not very good!) example:
Do
you like
writing poems? Yes!
Unlike the haiku, hay(na)ku have no syllable restrictions, so your words can be as long or short as you please. Happy writing!'.. Although I have wrote haiku before, this was a totally new form for me and therefore been the case, it made sense my first three attempts at this were wrote for my partner and although are fairly simple maybe were fun to write) 

Friday, 20 April 2012

Journey (Day 20)














Our train froze down a tunnel
Sucking sweets
Before spitting them back out
And crunching them across the tracks
So it sounded like broken conkers.

Our train disappeared
With stiffened red curtains
Blowing in the darkness
Like a door minus it’s hinges

And the air smelling pepper
Before choking out soot
And down our walls
Like it was holding onto the sky

Asking you to wait behind the line
While dancing on diamonds

As the journey home
Never felt more far away.  

Thursday, 19 April 2012

The End (Day 19)















Looking back what you were thinking
When we climbed into your nana’s attic
And you kicked the ladder out
From underneath our feet.

Looking back you said
That was the point
And we should have
Somewhere more private.

Somewhere where the dust
Felt more than a apologsy
For being forgotten in time.

Somewhere where the fragmented sun
Would feel like it
Was permanently blinking.

Somewhere interesting
Where we could dribble coke
Over the top of the world,

Crunch biscuits
Into its spine

And sugar plum cakes
At it’s heart

As we celebrated the end
Of our childhood.   

Wednesday, 18 April 2012

Sleeping Lullaby (Day 18)














Rest your sleeping head, my love
And count a wistful goodbye
As the dawn blows a wet handle
Against the walls of our tent.

Rest your sleeping head, my love
And kiss the winds of dawn
So your blanket becomes a wall
and the wind sounds like Jazz.

Rest your sleeping head, my love
And climb each cloud
Swimming through colours
Splashing up to our necks.

Rest your sleeping head, my love
And listen to the grass swaying
As the dawn blows a wet handle
Against the walls of our tent,
Watched by constant love.


 (Day 18 off http://www.napowrimo.net/ asked us to write a lullaby.. 'Soothing, short, repetitive and usually rhyming . . . lullabies exist in every culture. Perhaps you could write a special lullaby for poets? “Hush little poet, lay down your pen/Momma’s gonna buy you the complete Dickinson.” The rhyme’s a little slant, and the meter a bit wobbly, but it will do! Happy writing.' The piece I wrote here for is another of my sleeping poems to my other half done in a lullaby style (ish).